Conceived as Enrique Morente's vision of the Poet in New York by Lorca, and taking as much as the poems of the most inspired lyrics of Leonard Cohen Lorca (I've always believed that it is a lyricist more inspired than Dylan himself) this album is the experience that unites more radical as ever made, two artistic tendencies as extreme as flamenco and rock. The tragic tear the throat of the singer found a perfect understanding and unusual in guitarrazos (the Navajos) of Couple and Codorniu while the bass and drums (immeasurable, rich, dense and spirited Erik) built an impeccable rhythmic background exquisitely adorned with palms and drawer (perfect percussionist Tino Di Geraldo). A unique work than most, unclassifiable as any, where a song is out to offend the rest (my favorite, the harrowing true Hallelujah gives chills) full of dramatic and sharp cuts (the enormous Omega) this album was an experience that left the group diminished . Behind him, Erik left the band and a cluster of dark clouds on the horizon is created. In the distance we heard the strange laugh (that kind of laughter that proud, kneel and notes while he was right) of an electric filmmaker.
Source: www.indyrock.es Review
a performance at the Asparagus Festival Rock '98, in which Enrique Morente and Lizard Nick played the album "Omega".
own opinion, the best: Enrique Morente's voice and battery Erik
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